Sunday 21st June 2026
2 days ago
Wasn't in the best of moods today and then made the mistake of having a look at the front page of the South China Morning Post which was a veritable smorgasbord of feckwittery.
I went to the forum City Speak IV the other day and gave a bit of spiel about Freedom Ball which seemed to go OK. The forum was organised by Paul Zimmerman at Designing Hong Kong and was particularly interesting as they managed to get a diverse range of speakers discussing issues around the regulation of public space, including representatives from the government, hawkers, market traders, academics, activists and street performers. Part of the reason for the forum was the upcoming review of hawker licensing by the government.
I've been reading Charles R Cross's biography of Jimi Hendrix; Room Full Of Mirrors. As a biography it's OK, it's pretty detailed and does what it needs to do. As you read it you realise just how short Hendrix's career was. Hendrix released his first album (Are You Experienced) in 1967, two more studio albums (Axis: Bold As Love and Electric Ladyland) in 1967 and 1968 respectively and it was all over on 18th September 1970.
Just a quick link to the Freedom Ball project I've been working on recently. If you want to get involved in challenging the rules that Hong Kong parks and other public spaces let me know!
I've been reading Orwell's 'The Road to Wigan Pier'. Orwell was a committed Socialist and social activist who always tried to look at the real conditions and concerns of working people and who was always prepared to cut through the bullshit spouted by many who claimed to share his concern for the conditions of the working class. This made him something of a pariah with much of the left, of course. I thought these quotes might be of particular interest to a certain Mr. Evil of Discovery Bay.
I've been reading John King Fairbank's China, A New History recently and one of the key ideas he expresses is the importance of the Chinese concepts of 'wen' and 'wu' in Chinese history. Wen is culture and moral civility and wu is military power. Under the influence of scholars and bureaucrats Chinese culture has typically valued wen much more than wu; indeed for an emperor to employ military might has traditionally meant that he has failed in his moral and ethical duties, causing him to fall back on power rather than culture. That said, military power was needed to consolidate the empire and unify China and Fairbank argues that this was usually supplied from outside China as China did not value or cultivate military power. He argues that the new dynasties that often provided a fresh injection of wu into a society that had become stagnant were often the 'barbarians' on China's borders. Although they provided the military power necessary to re-unify China and impose a new regime the essentially foreign dynasties were soon absorbed into the Chinese cultural system.
Much to the chagrin of my long-suffering darling wife, I have been playing a lot of Team Fortress 2 recently. Women generally find it hard to understand that however old we get we never get too old for juvenile activities such as computer games. Team Fortress 2 is a particularly splendid game though, it has just the right mix of simplicity and err... tactical sophistication, plus it has a built in voice facility so you can plug in a mike and hurl abuse at people whilst killing them with your flamethrower. How could anyone possibly not enjoy that?
Times have been interesting in Hong Kong cinema in the last few years, with something of a revival from the doldrums experienced after the Hong Kong action style and personnel were absorbed by Hollywood. Pretty much every Hollywood action film nowadays incorporates the Hong Kong action aesthetic, from Matrix to Casino Royale via Charlies' Angels although with much bigger budgets and Hong Kong film has been struggling to find a new identity, led by the prolific Johnnie To. At the start of 2007 we had had a couple of years of pretty strong offerings from some of the more interesting directors in Hong Kong. To in particular produced some of his strongest work in the Election films, particularly Election 2 whilst still showing he can still do stylised action in his own way with films like Exiled. Pang Ho Cheung also made probably his best film to date in Isabella, bringing elements of his film making and scriptwriting to a cohesive whole at last. Together with newer directors making interesting films like My Mother is a Belly Dancer as part of the Focus: First Cuts film development programme for young directors, things were looking good.